Best Over-ear Headphones for Studio 2026

Professional studio headphones for mixing, mastering, and production.

Last updated: January 26, 20265 products tested

Our Top Picks

Best OverallAudeze MM-500

Audeze MM-500

Audeze

View details →
Best PremiumSennheiser HD 800 S

Sennheiser HD 800 S

Sennheiser

View details →
Best ValueBeyerdynamic DT 1990 Pro MKII

Beyerdynamic DT 1990 Pro MKII

Beyerdynamic

View details →
Best BudgetSony MDR-7506

Sony MDR-7506

Sony

View details →

Full Rankings

#1
Audeze MM-500

Audeze MM-500

Best Overall

Developed with 11-time Grammy-winning mixer Manny Marroquin. Used to mix Kendrick Lamar's #1 album. Professional engineers call the low end 'shockingly useful and trustworthy.'

Pros

  • 90mm planar magnetic drivers
  • Lightning-fast transient response
  • Sub-bass accuracy rivals mastering rooms

Cons

  • Very expensive at $1,699
  • Heavy at ~500g
  • Open-back only
#2
Sennheiser HD 800 S

Sennheiser HD 800 S

Best Premium

Reference standard for critical listening with unmatched spatial resolution. Ships with individual frequency response measurements. Ultra-low THD (<0.02%).

Pros

  • Best-in-class soundstage
  • 56mm ring radiator drivers
  • Ultra-low distortion (<0.02% THD)

Cons

  • Requires quality amplification (300Ω)
  • Lean bass by modern standards
  • Exposes flaws in poor recordings
#3
Beyerdynamic DT 1990 Pro MKII

Beyerdynamic DT 1990 Pro MKII

Best Value

SoundStage! Solo rated it among their highest-rated headphones ever. 30Ω impedance works with any interface without dedicated amplification.

Pros

  • Exceptional resolution
  • 30Ω works without dedicated amp
  • Dual ear pad sets included

Cons

  • Still bright for some users
  • Heavy at 376g
  • Cable not detachable on both sides
#4
Sennheiser HD 490 Pro

Sennheiser HD 490 Pro

MusicRadar's 'best overall studio headphone available right now.' Sonarworks rates it 9.4/10 as their 'new top pick' that 'dethrones the HD 650.'

Pros

  • Best overall studio headphone (MusicRadar)
  • Innovative low-frequency cylinder for accurate bass
  • Includes dearVR MIX-SE plugin

Cons

  • 130Ω requires decent amplification
  • Open-back limits tracking use
  • Relatively new (less proven)
#5
Sony MDR-7506

Sony MDR-7506

Best Budget

Industry standard since 1991 found in every professional studio. Multi-platinum engineer Andrew Scheps has used them for decades. Unmatched value at $99.

Pros

  • Industry standard since 1991
  • Found in every professional studio
  • Reveals flaws (sibilance, distortion, noise)

Cons

  • Bright, fatiguing for long sessions
  • Dated design
  • Non-replaceable cable

Comparison Table

ProductAccuracyDetail ResolutionComfortBuild QualityPrice
#1Audeze MM-500
10107.59.5$1699
#2Sennheiser HD 800 S
9.5108.59.5$1899
#3Beyerdynamic DT 1990 Pro MKII
9989$658
#4Sennheiser HD 490 Pro
98.598.5$356
#5Sony MDR-7506
7.57.56.58$104

Buying Guide

Studio headphones must be accurate and revealing—they should show flaws in recordings, not hide them. Look for flat frequency response, low distortion, and comfortable designs for long sessions. Open-back for mixing, closed-back for tracking.

What We Evaluate

40%

Accuracy

Flat, revealing frequency response

25%

Detail Resolution

Micro-detail and transient response

15%

Comfort

Extended session comfort

10%

Build Quality

Professional durability

10%

Value

Performance per dollar

Our Testing Methodology

We evaluate frequency response accuracy, transient response, and distortion. Open-back models are tested for mixing, closed-back for tracking isolation. All tests use professional audio interfaces.

Learn more about how we test →

Frequently Asked Questions

Open-back or closed-back for mixing?
Open-back for mixing (better soundstage, less fatigue). Closed-back for tracking (isolation prevents bleed into microphones).
Do I need expensive studio headphones?
The $99 Sony MDR-7506 has been industry standard since 1991. But higher-end options like the DT 1990 Pro MKII ($599) reveal more detail for critical mixing.
What impedance can my interface drive?
Most interfaces handle up to 100Ω well. High-impedance headphones (300Ω like HD 800 S) need dedicated headphone amps for optimal performance.

Related Comparisons